elforell: *Etro

Εμφάνιση αναρτήσεων με ετικέτα *Etro. Εμφάνιση όλων των αναρτήσεων

Trend απο το βυθό.

14.4.19 elforell *Etro, beach, fashion, missoni, shells, trend

Κοχύλια κάθε λογής αποτελούν το πιο trendy στοιχείο για τα αξεσουάρ του καλοκαιριού. Στολίζουν περίτεχνα τσαντάκια, υπέροχα κολιέ και ζώνες. Μια μόδα που θυμόμαστε κυρίως από το 2000ς αλλά που επιστρέφει και φέτος. Etro,Μissoni & Altuzarra στόλισαν τα μοντέλα στις πασαρέλες τους.

Spring Style Issue for Athens Voice

10.5.15 elforell *Audrey Savransky, *Etro, 70s, boheme, chloe, fashion, girl, girtl, hippie, interview, spring, ss2015, summer, trends

Haute hippie,έθνικ και μποέμ αισθητική θα κυριαρχήσουν ολοκληρωτικά στα ανοιξιάτικα και καλοκαιρινά looks σας. Φίλες μου, ξεχάστε τα βαρετά σορτσάκια με τιραντάκια και τζιν με t-shirt! Ωραία είναι αλλά λίγο αδιάφορα δεν νομίζετε;

Αρχικά, αυτό που θέλω είναι να αναζητήσετε vintage, παλιά κομμάτια από φορέματα έως τζινς (ψηλόμεσα, γαλάζια, Levi's, Diesel Industry τα πάντα) κεντημένα αξεσουάρ, ζώνες με κρόσσια και κοχύλια κάθώς και κοσμήματα με πέτρες, ημιπολύτιμους λίθους και φτερά. Όλα τα παραπάνω παίζουν πρωταγωνιστικό αλλά και καταλυτικό ρόλο για το hippie που θέλουμε, και ως τώρα ανέξοδα.

Το απελευθερωμένο πνεύμα και οι fun συνδυασμοί των παιδιών των λουλουδιών πρωτοστατούν εμπνέοντας τους μεγαλύτερους οίκους μόδας όπως Etro & Roberto Cavalli αλλά και εμάς.!

Συνδυάστε φλόραλ αέρινα μεταξωτά φορέματα μάξι ή πιο μακριά με suede γιλέκα, τζάκετς με κρόσσια ή ακόμα και αραιά πλεγμένες ζακέτες.

Κρατήστε τσάντες που κλείνουν σαν πουγκιά, σουέντ ή δερμάτινες με κρόσσια και κεντημένες υφασμάτινές. Τις πιο ζεστές μέρες και που ενδέχεται βουτιά μετά τη δουλειά κρατήστε καλάθι ή ψάθινη ακολουθώντας το εικονικό στυλ της Jane Birkin!

Αναζητήστε τζιν καμπάνες τις λεγόμενες και ως wide leg jeans, συμπληρώνοντας το look με ψηλές υφασμάτινες εσπαντρίγιες, μπαλαρίνες ή πλατφόρμες.

Ακόμα οι δαντέλες, τα ασπρόρουχα, οι πουκαμίσες με φουσκωτά μανίκια και κεντήματα με λαχούρια πρωτοστατούν μαζί με
ρετρό εμπριμέ υφάσματα και φολκλορικά αξεσουάρ! Εννοείτε και super SOS ένα ζευγάρι σανδάλια μονομάχου - gladiator θεωρείτε το top 3 MASTERPIECE της τάσης. Καλά δεν χρειάζεται να πω τα βρίσκεται στο Μοναστηράκι-στην οδό Ηφαίστου! Είναι must, προτιμήστε αυτά με τα ψηλά δεσίματα.

Από χρώματα υπάρχει μία τεράστια γκάμα καθώς τα χρώματα του ουράνιου τόξου και όλες του οι αποχρώσεις κοσμούν αυτή την υπέροχη τάση της σεζόν.

Το κεντρικό fashion illustration μας σχεδίασε αποκλειστικά για την Athens Voice η ΖetaPapdo εικονογραφόντας υπέροχα τα πιο διάσημα κομμάτια της σεζόν από τον οίκο Etro και γαλλικό Chloe.http://zetapapdo.blogspot.gr/

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Transitional Spring Dressing

13.4.15 elforell *Etro, athens voice, boho, chic, coachella, fashion, OUTFITS, spring, summer, trends

70's Aura

Μερικά από τα πιο στυλάτα κομμάτια της σεζόν έρχονται με boho αύρα από τη μεγεμένη δεκαετία του 70.

Mία εικόνα 1000 λέξεις στον οίκο Etro ss 2015.

Τζιν πουκάμισο: Αγαπημένο! Ταιριάζει άνετα και με ένα λευκό παντελόνι, μία ωραία δερμάτινη ζώνη και ανάλογα hippie suede μποτάκια. Συμπληρώστε με κρεμαστά σκουλαρίκια που είναι πάλι full μόδα ή ακόμη συνδυάστε το με ανάλογο χρωματικά τζιν παντελόνι.

Αέρινα φλόραλ φορεματάκια ή χαλαρά μακρύμάνικα βαμβακερά μπορούν να φορεθούν εξαιρετικά με μπαλαρίνες ή biker μποτάκια ή ένα ζευγάρι μπαλαρίνες. Please χωρίς καλσόν αν είναι εφικτό!!

Μίντι 70s αέρινα φορέματα με free-spirited μανίκια φουφούλες- φουσκωτά , κυματιστά τελειώματα και πιθανόν κρόσσια είναι το απόλυτο trend. Μούσες της τάσης για να έχετε και πλήρη εικόνα είναι η Ali McGraw, Tori Richard και Jane Birkin! Από τις σημερινές μπορείτε να ακολουθήσετε την Erin Wasson και τη Sienna Miller, όπου είναι γεννημένες boho queens!

To be continued..!

At Etro's

25.1.15 elforell *Etro, boutique, italy, milan, store, travel

Milan

Best of the best moments

6.10.14 elforell *Balenciaga, *Christian Dior, *Etro, *Fendi, *Gucci, fashion, style

Runaway to Reality:
Gucci

From New York to Milan and Paris

Vacation style

14.7.14 elforell *Bottega Veneta, *Chanel, *Etro, *Roberto Cavalli, *Stella McCartney, *Valentino, style

Resort 2015 favorites
Looks and ideal destinations to wear them

Stella McCartney

Style focus

10.7.14 elforell *Etro, style

White shirt
Again and again editing, reinvent now one of the most classical and timeless pieces of your wardrobe.

Το λευκό πουκάμισο

#Breezy
Look στην παραλία

#Νeo-Retro
Ρομαντικό

#Urban casual
Καθημερινό

#Night chic
Βραδινό σικ

#His
Το δικό του

One piece

11.6.14 elforell *Alexander Wang, *Eres, *Etro, *Gucci, *Mara Hoffman, *Miu Miu, style

Beachwear to Love

Το ιδανικό ολόσωμο μαγιό

Ρετρό, ρομαντικά, pin up, με έντονα κοψίματα, σέξυ εξώπλατά ή ακόμα και απλά σε αθλητική γραμμή τα ολόσωμα μαγιό κερδίζουν έδαφος, σίγουρα τις εντυπώσεις αλλά και όλα τα βλέμματα της παραλίας.
Μπορεί να γίνουν ιδιαίτερα ελκυστικά αποδεικνύοντας περίτρανα ότι δεν αγοράζονται μόνο για να καλύπτουν διάφορα ανεπιθύμητα παχάκια αλλά είναι ικανά να σμιλεύεουν το σώμα και να το αναδεικνύουν σε μέγιστο βαθμό. Από την άλλη μπορούν να φορεθούν και σαν τοπ το βράδυ με σορτς ή φούστα.

Ρομαντικό

Floral

Elegant

Ethnic

Retro

Athletic

Classic

Navy

Kόκκινο Karla Kollato , φλόραλ Miu Miu. με καρδιές Gucci, hippie Mara Hoffman, navy blue Norma Kamali, λευκό Lisa Marie Fernandez, πορτοκαλί Eres, με ρίγες T by Alexander Wang
όλα Net-a-Porter

Art of Perfection | Azzedine Alaïa

27.2.13 elforell *Base Range, *Cartier, *Etro, *H&M, *J Brand, *Mad et Len, *Mar Y Sol, *Max Mara, *Prada, Art of Perfection | Azzedine Alaïa

In the hands of Azzedine Alaïa, a dress is so much more than stitched fabric. It’s an exaltation of the female form. A technical masterpiece. A unique vision. Over lunch in Paris, fashion’s ultimate independent finally comes to terms with his singular legacy.
You never know who you might run into at Azzedine Alaïa’s headquarters in the Marais section of Paris. On a Friday in December, there’s the fashion photographer Jean-Baptiste Mondino, shopping for a navy A-line minidress as a gift for his wife. Azzedine “has a real sense of the woman’s body,” Mondino says. “And women know that.”
Alaïa walks into the ground-floor shop, as he often does, pleased to see his old friend. “Stay for lunch,” he insists.
Mondino demurs, “I have to work.”
Carla Sozzani, the founder of the 10 Corso Como gallery, boutique and hotel in Milan and Alaïa’s longtime friend and style consultant since 2000, is there too. So is the French photographer Sarah Moon, who recounts how she originally went to see Alaïa in 1977 at his first studio, on the rue de Bellechasse, because she’d heard he made Marlene Dietrich’s suits. “No, my dear, it was Garbo,” he corrects her. “I dressed Garbo.”

After much chatter and joke telling, everyone but Mondino moves into Alaïa’s large open kitchen for lunch. In fact, there are 22 around the immense old glass-topped garden table, including the painter Christophe von Weyhe, Alaïa’s retail manager and life partner of more than 30 years; several company assistants; and some friends of friends. “It’s always like this, lunch and dinner,” Alaïa says, as plates of roast chicken, puréed carrots and mashed potatoes are served.
Alaïa is fashion’s enigma. The Tunisian-born designer has officially been in business for nearly 35 years, and he’s been privately making clothes to order for chic women since the 1960s, yet he still has what would qualify as a cult following. His company remains small — about $63 million a year in an industry where many brands earn hundreds of millions in sales annually. Unlike most designers today, who carry the title of creative director and serve more as managers than couturiers, Alaïa cuts his own clothing patterns and sews the samples himself, each stitch exactly where and how it should be. Most important, through the wizardry of perfectly placed seams and stretch knits, Alaïa’s clothes nip, tuck and hoist to maximum effect. The top model Naomi Campbell, who has known Alaïa since she was 16 and calls him “papa,” describes his designs as “almost magical. No other dress can make a woman look and feel as good as an Alaïa dress because it cinches a woman’s body perfectly.”
Alaïa has always made the clothes he wants to make, at his rhythm, showing them when it pleases him, selling only to stores he likes and delivering them when he wants. Years ago, when he decided he’d had enough of the Paris show schedule, he simply opted to present his collection months after everyone else, and then soon after, stopped showing altogether. Alaïa simply plays by rules of his own making, rather than ones created by the fashion industry. And yet retailers can’t help but love him. His clothes appeal to a broad range of women, from “true collectors” to young customers “investing in pieces that will stay in their wardrobe forever but somehow always seems modern,” says Daniella Vitale, C.O.O. and executive vice president of Barneys New York, which has carried Alaïa since the early 1980s. Alaïa “has an uncanny ability to bridge all of it seamlessly. Very few designers have that capability.” His collection, she adds, “is one of the most successful brands we have in the store.”
Katie Grand, the influential stylist and editor in chief of Love magazine, had Alaïa make her wedding dress, a brown snakeskin number with a fitted bodice and short flared skirt, in 2009. “He tortured me for a few months,” she recalls with a laugh. “The first question he asked was, ‘What size are you going to be at your wedding?’ ” When she told him, he explained that the dress wasn’t the sort that could be altered at the last minute. “He said, ‘I want you to lose weight by the end of next week. Don’t eat anything, and stay on a running machine.’ I said O.K. The dress fit on the wedding day, and I was happy in it.”
Alaïa’s fierce independence was instilled by his grandmother, who, he remembers, “always said, ‘Children until 7 should remain free. No need to clutter their heads with religion and other things. They need to live freely as children.’ ” He’s carried on this philosophy throughout his life. “I am still free,” he insists.
Much of that may soon change. After a brief and relatively hands-off foray with the Prada Group in the early 2000s, during which he expanded into accessories, Alaïa sold his company to Richemont, the Swiss-based group that owns Cartier, Montblanc and Chloé, in 2007. With big money behind him, growth plans are afoot: Sozzani is in Paris in part to help oversee the construction of a new four-story Alaïa outpost on rue Marignan, due to open this year. A perfume — one of luxury fashion’s favorite cash cows — is in the works, as is global retail expansion.
With all of this, Alaïa remains his usual unassuming self: small (just over five foot two), soft-spoken and feisty, dressed in his habitual black Mandarin jacket and trousers, with three dogs — Anouar, a Maltese given to him by Campbell; another Maltese named Waka Waka, from the singer Shakira; and Didine, a St. Bernard — never far from his feet. At roughly 72 years old — he has never admitted his age — he is fine with what appears to be Richemont’s positioning of the brand for a long-term life after he is gone. “All can continue without me,” he says. “It must continue. One day, you say, ‘That’s it’ for yourself. But not for the house. You simply have to find the right replacement.”
Come September, the Paris fashion museum Musée Galliera is mounting an Alaïa retrospective for its reopening after a four-year renovation. Among the gems that will be on display: the immense French Tricolor gown that the designer made for the opera soprano Jessye Norman to wear as she sang at the French bicentennial concert in 1989 and the iconic spiral zipper dress that was inspired by a jacket Arletty wore in the French classic “Hôtel du Nord.” There is also an Alaïa Foundation in the works: a place where his personal design archives, as well as pieces from other designers he admires and collects, like Madame Grès, Madeleine Vionnet and Jacques Fath, will be on display. And in May, the Los Angeles Philharmonic will perform a new version of “The Marriage of Figaro,” the Mozart classic, at the Walt Disney Concert Hall with Alaïa-designed costumes and a Jean Nouvel set. Though busy, Alaïa remains tireless. Of his 75 employees , many under 30, he announces proudly, “But they are older than I am!” One, who is passing through the kitchen at that moment, laughs in agreement. “I am very curious,” Alaïa says. “Every day, I say: What am I going to learn today and whom am I going to meet?” No doubt some of them will be at lunch.